I see these photographs as collected fragments,

representing the (dis)connections between the natural and artificial

within our daily lives.

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We find ourselves captured in the fringes.

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As we witness gradual and sudden changes in our collective landscapes,

how do we orient ourselves moving forward?

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How does our perspective of immediate surroundings

affect our sense of place, throughout time and individually –

and the ways photography has affected our gaze on the world?

 

Touching Ground exposes symbolic margins

where environment and the human touch blur.